Manuka Honey


Manuka Honey has been a work in progress for over four years, blend­ing Jazz, Clas­si­cal piano, Alter­na­tive, Blues, Reg­gae, Latin, East­ern Indian Kir­tan, and other gen­res into the sound that has become Manuka Honey. The band’s mis­sion is to assem­ble a group of musi­cians that share a pas­sion for impro­vi­sa­tion, musi­cal mys­ti­cism, explo­ration, and to develop a united vision.

The focus of the band is on the art form itself, despite the cur­rent trend of image-driven music on the scene today. Manuka Honey aims to cre­ate pro­gres­sive music in an effort to move the art form for­ward and re-establish sub­stance over hype. Fol­low­ing is a brief his­tory of the band, and the diverse back­ground of the musi­cians that make up Manuka Honey.

Sarah Hale

Born into a musi­cal fam­ily, Sarah Hale spent her ado­les­cent years tak­ing piano lessons, play­ing recitals, paint­ing and lis­ten­ing to an eclec­tic mix of music from the cre­ative mad­ness of The Mother’s of Inven­tion and early Pink Floyd, the blusi­ness of John May­all and Taj Mahal, to the prog rock of the day, Tool and Smash­ing Pump­kins. She dis­cov­ered an incli­na­tion to impro­vise and play by ear and began to cre­ate her own arrange­ments. “It became like a med­i­ta­tion for me to come home after school when the house was quiet, no one but me and piano, and I’d just sit down and quit think­ing, just let­ting what­ever sound to flow.” This method of writ­ing would become Sarah’s sig­na­ture style, valu­ing sim­plic­ity and cap­tur­ing the magic of a moment rather than aim­ing for absolute tech­ni­cal per­fec­tion.
After a few years break from play­ing piano, Sarah returned to her musi­cal roots in 1998 as a stu­dent at Fort Hays State Uni­ver­sity in Kansas where she took con­cert piano. Here the real cre­ation began when her friend Joshua Richards, a fel­low musi­cian and inspi­ra­tion, gifted her with a 4 track tape recorder. “I would go into the prac­tice rooms any time, day or night, sit down and just hit record.” Many of these record­ings became the bones of songs now per­formed by Manuka Honey.

Cheri Abrams

Cheri Abrams started play­ing the bass in her late teens with a punk rock band called “The Cich­lids” on the west coast of Florida. After a hia­tus from play­ing music to study Mar­tial Arts and Mas­sage Ther­apy, she picked up the flute with the encour­age­ment of a friend who would teach her. Cheri met Sarah through work and that is when she became seri­ous about play­ing music again.
As Manuka Honey, grew so did Cheri’s instru­ment col­lec­tions. “We knew what we where look­ing for but it was hard to find these musi­cians in our small town that would what to join a band.” So she started to explore other instru­ments and to date plays the flutes, sax and the cello for Manuka Honey.
The music that influ­enced Cheri ranges from J.S. Bach, and old world, to Led Zep­pelin, David Bowie and The New York Dolls.

Ken Primus

Ken Primus started play­ing bass at the age of 16 after his church bass player had to leave for col­lege in 1981, and he’s been play­ing ever since. He played with sev­eral bands of all gen­res over the years, rang­ing from rock to jazz. In the mid 80’s he taught bass for sev­eral years in New York City at a local music store. It was dur­ing this time that Ken was intro­duced to John
Pat­i­tucci by the owner of the music store, and became a stu­dent of his tech­niques.
Later that year he was intro­duced to Sting by a mutual friend, and met his bass player Daryl Jones while they were record­ing the Blue Tur­tle album. Another con­nec­tion this same year led him to record a demo that fell into the hands of David Sanborn’s, and Miles Davis’s bass player Mar­cus Miller. This pro­vided him the exhil­a­rat­ing oppor­tu­nity to jam with them. It was this year of expe­ri­ences and meet­ings that cemented his love of the up and com­ing genre of smooth and con­tem­po­rary jazz. Through this time he gath­ered and incor­po­rated valu­able tech­niques into his cur­rent bass play­ing style.
His musi­cal influ­ences range from Lenny Cagan who first taught him how to play, and Corey Pena, “Who showed me what some­one who knows how to the play the bass, can do with a bass,” John Paul Jones, and Stan­ley Clarke, Jaco Pas­to­rius, Ron Carter, Larry Gra­ham, Les Clay­pool, John Pat­i­tucci, Noel Red­ding, Vic­tor Wooten, Mar­cus Miller, Bootsy Collins, Meshell Nde­geo­cello and the great Rob­bie Shakespeare.

Shel­don Primus

The final addi­tion to the group is drum­mer and per­cus­sion­ist Shel­don Primus. At the age of 8 Shel­don was taught drums by his older brother Mark in their Queens, NY base­ment. Through­out his for­ma­tive years, Shel­don honed his skills through pri­vate lessons in both drums and per­cus­sion. Sheldon’s drum­ming style and influ­ences range from clas­sic drum­mers like Buddy Rich and Art Blankey, to the syn­co­pa­tion of Stew­art Copeland.
Music has often been a part of his life, although Shel­don took a hia­tus from drum­ming for sev­eral years. In the mid to late 90’s he was often heard in Orlando, Florida night­clubs spin­ning records as DJ Pri­mal­prime.
Manuka Honey bassist and Sheldon’s eldest brother Ken invited him to sit in on a few songs at a show in Vero Beach, Florida. The seeds of the cur­rent group were sewn, and shortly after that gig, Shel­don joined the group full time.

No Shows Scheduled
 

Sarah Hale — vocals, key­board
Cheri Abrams — flute, sax, cello
Ken Primus — bass
Shel­don Primus — drums, percussion

 

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